motion

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motion

Never confuse motion with action.More [01/01/2000 12:01:00]
It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind; but when a beginning is made -- when the felicities of rapid motion have once been, though slightly, felt -- it must be a very heavy set that does not ask for more.More [01/01/2000 12:01:00]
You control your future, your destiny. What you think about comes about. By recording your dreams and goals on paper, you set in motion the process of becoming the person you most want to be. Put your future in good hands -- your own.More [01/01/2000 12:01:00]
Allow motion to equal emotion.More [01/01/2000 12:01:00]
A human act once set in motion flows on forever to the great account. Our deathlessness is in what we do, not in what we are.More [01/01/2000 12:01:00]
Every body continues in its state of rest, or of uniform motion in a right line, unless it is compelled to change that state by forces impressed upon it.More [01/01/2000 12:01:00]
Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.More [01/01/2000 12:01:00]
What an immense power over the life is the power of possessing distinct aims. The voice, the dress, the look, the very motion of a person, define and alter when he or she begins to live for a reason.More [01/01/2000 12:01:00]
The moments of the past do not remain still; they retain in our memory the motion which drew them towards the future, towards a future which has itself become the past, and draw us on in their train.More [01/01/2000 12:01:00]
When desire, having rejected reason and overpowered judgment which leads to right, is set in the direction of the pleasure which beauty can inspire, and when again under the influence of its kindred desires it is moved with violent motion towards the beauty of corporeal forms, it acquires a surname from this very violent motion, and is called love.More [01/01/2000 12:01:00]
The more specific idea of Evolution now reached is -- a change from an indefinite, incoherent homogeneity to a definite, coherent heterogeneity, accompanying the dissipation of motion and integration of matter.More [01/01/2000 12:01:00]
Colors answer feeling in man; shapes answer thought; and motion answers will.More [01/01/2000 12:01:00]
The natural law of inertia: Matter will remain at rest or continue in uniform motion in the same straight line unless acted upon by some external force.More [01/01/2000 12:01:00]
My friend, why have you drifted so far away? All motion is relative, maybe it is you who have moved away by standing still.More [01/01/2000 12:01:00]
Success is no exclusive club. It is open to each individual who has the courage to choose his own goal and go after it. It is from this forward motion that human growth springs, and out of it comes the human essence known as character.More [01/01/2000 12:01:00]
Boris Lermontov: How would you define ballet, Lady Neston?
Lady Neston: Well, one might call it the poetry of motion perhaps, or...
Boris Lermontov: One might. But for me it is a great deal more. For me it is a religion. And one doesn't really care to see one's religion practised in an atmosphere... such as this.More [07/29/2005 12:07:00]
We've had a long ride back from a cancellation of a short-lived television series to the release of a major motion picture. I don't know if there's any other story equivalent to that in Hollywood historyMore [04/05/2006 12:04:00]
You watch yourself doing things because you have set in motion events which will change your life.More [04/06/2006 12:04:00]
I get motion sickness really easy.More [05/26/2006 12:05:00]
An umeboshi plum is a little Japensese salt plum. The best thing for motion sickness is to take one of these plums . . . and tape it to your belly button. I'm not kidding you.More [09/14/2006 12:09:00]
“I am totally against it. I think it will destroy the game. It will slow it down, lose the momentum and the motion of the game. Who was the genius who came up with this stupid idea? They are looking for solutions on how to save the game and this is not it.”More [11/14/2006 12:11:00]
I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anything I'd ever dreamed of.More [11/21/2006 12:11:00]
[first lines]
Dalton Russell: My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation, it's exceedingly simple... because I can. Which leaves us only with the How; and therein, as the Bard would tell us, lies the rub.More [04/23/2007 12:04:00]
Constance: They're rather a mixed bunch. That Mr. Weissman's very odd. Apparently, he produces motion pictures. The Charlie Chan Mysteries. Or does he direct them? I never know the difference. Mary! I suppose it's fun having a film star staying but there's always so little to talk about after the first flush of recognition. And why has Freddy Nesbitt brought that awful common little wife of his? Isabel only asked him because another gun dropped out; that's no excuse to inflict her on us all. Mary... Tomorrow, I'll have breakfast in bed, and then get straight up into the tweeds. What shirt have you brought?
Mary Maceachran: The green with the pink stripe.
Constance: Oh no dear, no. No, that's quite wrong. Always something very plain for country sports - the one I wore today will do.
Mary Maceachran: But it's soiled.
Constance: Well you can wash it, can't you?More [04/22/2007 12:04:00]
Hollie Baylor: All forward motion counts.More [04/26/2007 12:04:00]
“Buyer should be aware that 'CELL' is a violent piece of work, which comes complete with zombies set in motion by bad cell phone signals that destroy the human brain.”More [04/26/2007 12:04:00]
[Marty the Zebra and Alex the Lion running towards each other on the beach in slow motion with arms outstretched and Chariots of Fire music]
Alex the Lion: Marty!
Marty the Zebra: Alex!
Alex the Lion: Marty!
Marty the Zebra: Alex!
Alex the Lion: Marty!
Marty the Zebra: Alex!
Alex the Lion: [angrily] Marty!
Marty the Zebra: [afraid] Alex?
Alex the Lion: [real-time] Marty!
Marty the Zebra: Oh, Sugar Honey Ice Tea!More [04/27/2007 12:04:00]
[Just finished watching Terrence and Phillip's motion picture]
Kyle: Dude, that movie was fucking sweet!
Cartman: You bet your fuckin' ass it was!
Stan: Fuck, dude, I wanna be just like Terrence and Phillip!More [05/03/2007 12:05:00]
[all hyped and ready after singing a song]
Stan: Can I have FIVE tickets to Terence Phillip: Asses on Fire, please?
[pause]
Ticket Taker: No!
Stan: What do you mean no?
Ticket Taker: Terrance and Philip: Asses of Fire has been rated R by the Motion Picture Association of America, you have to be accompanied by a parent or guardian.
Stan: But why?
Ticket Taker: Because this movie has naughty language! Next please.More [05/03/2007 12:05:00]
Georgie Weiss: So, what was the important news you couldn't tell me on the phone, again?
Edward D. Wood, Jr.: Well, I started thinking about what you were saying about how your movies need to make a profit. Now, what is the one thing, if you put it in a movie, it'll be successful?
Georgie Weiss: Tits.
Edward D. Wood, Jr.: No, better than that. A star.
Georgie Weiss: you must have me confused with David Selznick. I don't make major motion pictures; I make crap.
Edward D. Wood, Jr.: Yes, but if you take that crap and put a star in it, then you've got something.
Georgie Weiss: Yeah. Crap with a star.More [06/13/2007 12:06:00]
Joey: [Computer beeps] We've got a touchdown!
Laurence: [On radio] We have touchdown! Touchdown! Tornado is on the ground!
Haynes: [Hands radio to Beltzer] Listen to this!
Laurence: Looks like it's heading down Route 33.
Bill: Jo, we're on 33.
Jo: What's the path?
Laurence: Looks like it's going about 35 mph.
Rabbit: [Looking around] Can you see this?
Allan Sanders: I can not see this. Where is it? Hello? Which way you guys looking?
Bill: Where, where, where...
Jo: Direction, Rabbit.
Rabbit: North northeast!
Beltzer: Do you see it?
Haynes: No.
Rabbit: North northeast, you copy?
Bill: Shit, it's coming right at us!
Laurence: Axis has gone vertical, gone vertical. Sucker's really gaining up strength.
Jo: You see it?
Bill: No...
[Takes radio]
Bill: Beltzer! We do not have a visual. Repeat, we do not have a visual. Help us out here!
Jo: Where is it?
Beltzer: Yeah, I got it Billy. Best motion I've ever seen. Looks like the base of this sucker's at least a half mile wide.
Bill: Rabbit?
Rabbit: If you are going east on 7, it should be coming right over that hill in a matter of minutes!
Allan Sanders: This is the one man, I feel it.More [06/20/2007 12:06:00]
Narrator: Time is like a wheel. Turning and turning - never stopping. And the woods are the center; the hub of the wheel. It began the first week of summer, a strange and breathless time when accident, or fate, bring lives together. When people are led to do things, they've never done before. On this summersday, not so very long ago, the wheel set lives in motion in mysterious ways. It set Mae Tuck out in her wagon for the village of Tree Gap to meet her two sons as she did once every ten years.More [06/24/2007 12:06:00]
[With cups of coffee, Alex and Clear sit down at a street-side Espresso-shop corner table]
Alex Browning: The mortician said that Death has a design. Okay. I'm talking about omens. How do we know that just by sitting here - by, by sipping this coffee, or breathing the air, or even crossing the intersection - that we haven't even started in motion the events that will some day lead to our death: forty years from now, ten years from now, tomorrow. We don't. Unless we open ourselves up...
[as clear glances nervously at the intersection, Alex draws from his pocket the tiny slice of paper that reads "Tod" and slides it across the table to her]
Alex Browning: ...to the signs that It's willing to show us?
Clear Rivers: I don't understand. Did you see Tod die? Did it happen again, like on the plane?
Alex Browning: [shaking his head] No. No, it didn't, but, I mean, it might as well have. This is a message from something, Clear, or someone - hinting at a design.
Clear Rivers: Total bullshit. I mean, you can find death omens anywhere you want to.
[Alex glances at the window of the Espresso shop and sees the ghostly reflection of a bus passing by. As she continues to talk, ominous music rises and Alex glances worriedly around the streets]
Clear Rivers: Coffee. Starts with a C and ends with an E. So does the word "choke." So, what, we're going to choke to death? I wanna hear you.
[Alex glances anxiously over his shoulder again]
Clear Rivers: We'll go nuts if you start with the shits.
Alex Browning: The mortician said that Death has a design. Right? Now, what if you, me, Tod, Carter, Terry, Billy, Missus Lewton messed up that design. For whatever reason, I, I saw Death's plan. We cheated him. But what if it was our time? What if we were not meant to get off that plane? What if it still is our time? If it is, then it's not finished, and we will die - now, not later - unless, unless we find the patterns and cheat It again.
[Behind Alex's back, Carter drives his car up to the intersection and waits for the light. Terry is sitting next to him. Carter glances over to see Alex and Clear, and he scowls. Terry smiles at Carter, then sees them too, and her smile fades, as though fearful of a confrontation]
Clear Rivers: After hearing you, I, I do believe...
[Alex smiles]
Clear Rivers: ...that Tod killed himself.
[Alex's face turns serious]More [06/25/2007 12:06:00]
Kaffee: It was oregano, Dave, it was ten dollars worth of oregano.
Lieutenant Dave Spradling: Yeah, well, your client thought it was marijuana.
Kaffee: My client's a moron, that's not against the law.
Lieutenant Dave Spradling: Kaffee, I have people to answer to just like you do. Now, I'm gonna charge him.
Kaffee: With what, possession of a condiment?
Lieutenant Dave Spradling: Kaffee...
Kaffee: Look, Dave, I tried to help you out of this but if you ask for jail time I'm going to file a motion to dismiss.
Lieutenant Dave Spradling: You won't get it.
Kaffee: I will get it. And, if the MTD is denied I'll file a motion seeking limiting of an evidentary hearing in advance and then I'm going to file against pre-trial confinement and you're going to spend the next 3 months going blind on paperwork because a Signalman Second Class bought and smoked a dime bag of oregano.
Lieutenant Dave Spradling: B misdemeanor, 20 days in the brig.
Kaffee: C misdemeanor, 15 days restricted duty.
Lieutenant Dave Spradling: I don't know why I'm agreeing to this.
Kaffee: Because you have wisdom beyond your years.More [11/05/2007 12:11:00]
[Seymour can't wait for two mothers and their many kids to cross an intersection]
Seymour: What are we, in slow motion here? C'mon, what are you, hypnotized? Have some more kids, why don't you.More [12/18/2007 12:12:00]
Hector: What you want cabacha?
Allison: Why did you do that to us last night?
Hector: Do what? Huh? We did exactly what you wanted us to do. You wanted into 16th Street and you didn't fucking make it.
Allison: You think that Emily wanted that?
Hector: Who? Emily?
Allison: Yeah you know her.
Hector: Emily, cual es Emily?
[friend makes a motion to indicate small]
Hector: Oh, si, la chiquita, la putita,huh. Yeah yeah the one who got drunk and fucking played us like Punk'd.
Allison: No, that wasn't a game to her!More [02/17/2008 12:02:00]
Each man has an equal social right to multiply his power of motion by all the social factors of civilization. Private property in any of these factors is inconsistent with this fundamental right; it must, obviously, prove a source of economic despotism and industrial slavery.More [02/25/2008 12:02:00]
Arthur Abbott: [Reaches stairs to stage, Miles's theme music comes on] I'll do it.
[Climbs up stairs, give Iris a thumbs up at the top]
Arthur Abbott: [Addressing the audience] Thank you. Thank you, thank you. I'm absolutely overwhelmed... that I could climb those stairs.
[Audience laughs]
Arthur Abbott: I came to Hollywood over 60 years ago, and immediately fell in love with motion pictures. And it's a love affair that's lasted a lifetime. When I first arrived in Tinseltown, there were no cineplexes or multiplexes. No such thing as a Blockbuster or DVD. I was here before conglomerates owned the studios. Before pictures had special effects teams. And definitely before box office results were reported like baseball scores on the nightly news.More [03/20/2008 12:03:00]
Kate: I'm not the protagonist in a major motion picture.More [05/23/2008 12:05:00]
Pennington: Klahn has been connected with every sort of nefarious activity. You name it - opium, weapons traffic, assassination, motion picture distribution...More [05/25/2008 12:05:00]
Sushi Bar Assistant: [Japanese] What'd ya want?
The Bride: [English] I beg your pardon?
Hattori Hanzo: [English] Oh...”drink"
[makes drinking motion with hand]
The Bride: [English] Oh, yes, a bottle of warm sake please.
Hattori Hanzo: [English] Warm sake? VERY GOOD.
Hattori Hanzo: [Japanese] One warm sake.
Sushi Bar Assistant: [Japanese] Sake? In the middle of the day?
Hattori Hanzo: [Japanese] Day, night, afternoon, who gives a damn? Get the sake.
Sushi Bar Assistant: [Japanese] How come I always have to get the sake? You listen well... for thirty years, you make the fish, I get the sake. If this were the military, I'd be General by now.
Hattori Hanzo: [Japanese] Oh, so you'd be General, huh? If you were General, I'd be Emperor, and you'd STILL get the sake. So shut up and get the sake.
Hattori Hanzo: [English] Do you understand?More [05/29/2008 12:05:00]
To have my fan club. I am very proud of doing everything. I try to support my parents, friends and fans. I am also proud of my performing in the visual arts, and motion television.More [06/25/2008 12:06:00]
[Brian is writing graffiti on the palace wall. The Centurion catches him in the act]
Centurion: What's this, then? "Romanes eunt domus"? People called Romanes, they go, the house?
Brian: It says, "Romans go home. "
Centurion: No it doesn't ! What's the latin for "Roman"? Come on, come on !
Brian: Er, "Romanus" !
Centurion: Vocative plural of "Romanus" is?
Brian: Er, er, "Romani" !
Centurion: [Writes "Romani" over Brian's graffiti] "Eunt"? What is "eunt"? Conjugate the verb, "to go" !
Brian: Er, "Ire". Er, "eo", "is", "it", "imus", "itis", "eunt".
Centurion: So, "eunt" is...?
Brian: Third person plural present indicative, "they go".
Centurion: But, "Romans, go home" is an order. So you must use...?
[He twists Brian's ear]
Brian: Aaagh ! The imperative !
Centurion: Which is...?
Brian: Aaaagh ! Er, er, "i" !
Centurion: How many Romans?
Brian: Aaaaagh ! Plural, plural, er, "ite" !
Centurion: [Writes "ite"] "Domus"? Nominative? "Go home" is motion towards, isn't it?
Brian: Dative !
[the Centurion holds a sword to his throat]
Brian: Aaagh ! Not the dative, not the dative ! Er, er, accusative, "Domum" !
Centurion: But "Domus" takes the locative, which is...?
Brian: Er, "Domum" !
Centurion: [Writes "Domum"] Understand? Now, write it out a hundred times.
Brian: Yes sir. Thank you, sir. Hail Caesar, sir.
Centurion: Hail Caesar ! And if it's not done by sunrise, I'll cut your balls off.More [07/21/2008 12:07:00]
I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart and soul.More [10/21/2008 12:10:00]
intertitle:
A PLEA FOR THE ART OF THE MOTION PICTURE / We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceded to the art of the written word - the art to which we owe the Bible and the works of Shakespeare.

More [06/16/2016 01:06:42]
[foreword]



Opening crawl:
The motion picture ou are about to witness may startle you. It would not have been possible, otherwise, to sufficently emphasize the frightful toll of the new drug menace which is destroying the youth of America in alarmingly increasing numbers. Marihuana


[stet]



Opening crawl:
is that drug - a violent narcotic - an unspeakable scourge - The Real Public Enemy Number One!

More [06/16/2016 01:06:42]
[Susan is pretending to be a mobster]



David Huxley:
Constable, she's making all this up from motion pictures she's seen!



Susan Vance:
Oh, I suppose I saw you with that ragged old skirt in the motion pictures, did I?



Constable Slocum:
Oh, another woman, eh?



Susan Vance:
Sure, I wouldn't be squealing on him if he didn't give me the run-around with that other twist.



Constable Slocum:
Oh, so he's a lady killer.



Susan Vance:
A lady killer! He's a regular Don Swan. Loves the ladies, don't ya, honey? He pops them off, one, two, three.


[Pretends to open a cork and toss it away]



Susan Vance:
He's a wolf.



David Huxley:
[Claps his head] Oh, so now I'm a wolf!


[Collapses on a cot]

More [06/16/2016 01:06:42]
Lion:
[in Daffy's newsreel film] Motion pictures... are... your best... entertainment.

More [06/16/2016 01:06:42]
[first lines]



Cuckoo Bird:
Watch! That's powerful snorin'. Just like a hurricane!


[aside]



Cuckoo Bird:
From the motion picture of the same name.

More [06/16/2016 01:06:42]
Moe:
[to Curly] And what did you answer when they asked what does a navigator do?



Curly:
I told them a navigator crawls through a swamp until it becomes a suitcase, and bites like this too.


[Gestures his hands with the snapping motion of an alligator's jaws, with grwoling imitation]



Moe:
No, like this


[Uses horizantal motion of alligator's jaws, then slaps Curly with both hands]

More [06/16/2016 01:06:42]
Farnsworth:
What Dr. Schlenna is trying to say is that we are using motion picture names exclusively...



Eddie Cantor:
'Motion pi-'! I've been a picture star for years! Wouldn't you call *me* a name?



Farnsworth:
Oh, definitely - but not the kind I can put in lights.

More [06/16/2016 01:06:42]
Fred Astaire:
I'm sorry, I can't quite place you. What line of business are you in?



Gene Kelly:
Well, I dance.



Fred Astaire:
Oh, at home, for the folks? Picnics and that kind of thing?



Gene Kelly:
Oh, no, no. In public.



Fred Astaire:
On street corners?



Gene Kelly:
Oh, no. On the screen. Motion pictures! You do go to pictures that have dancing in them, don't you?



Fred Astaire:
I try to see them all.



Gene Kelly:
Did you see a picture called "Cover Girl"?



Fred Astaire:
Yes.



Gene Kelly:
Well, who did all the dancing in that?



Fred Astaire:
You're not Rita Hayworth?



Gene Kelly:
No I'm not... Ginger.

More [06/16/2016 01:06:42]
Curly:
There's a hair in my soup.



Moe:
You're crazy. That's a crack in your plate.



Curly:
I never saw a crack go that way.


[he makes a curving motion with his hand]



Moe:
Well, that's neither hair nor there.

More [06/16/2016 01:06:42]
Huw:
This nose can smell the primrose in the spring or mutton chops cooking or the well-brushed hair of children in the park. It is filled with the savors of innocence... and memory. The motion of the waterfall and the little girl under the haystack and cowslips in the railway cuttings. I can smell out the corruption in a den of hypocrites, scoundrels, and dead souls.


[Stroking his harp]



Huw:
Anyhow, it is mostly indigestion to what you're talking about.

More [06/16/2016 01:06:42]
[first lnes]



Narrator:
We bring you the circus, pied piper whose magic tunes greet children of all ages, from six to 60, into a tinsel and spun-candy world of reckless beauty and mounting laughter and whirling thrills; of rhythm, excitement and grace; of blaring and daring and dance; of high-stepping horses and high-flying stars. But behind all this, the circus is a massive machine whose very life depends on discipline and motion and speed. A mechanized army on wheels, that rolls over any obstacle in its path, that meets calamity again and again, but always comes up smiling. A place where disaster and tragedy stalk the big top, haunt the backyard, and ride the circus train. Where death is constantly watching for one frayed rope, one weak link, or one trace of fear. A fierce, primitive fighting force that smashes relentlessly forward against impossible odds. That is the circus. And this is the story of the biggest of the big tops, and of the men and women who fight to make it "The Greatest Show on Earth."

More [06/16/2016 01:06:42]
Narrator:
"The Screaming Skull" is a motion picture that reaches its climax in shocking horror. It's impact is so terrifying that it may have an unforeseen effect. It may *kill* you!

More [06/16/2016 01:06:42]
Barnaby:
Item 1:



Gonzorgo:
Item 1:



Barnaby:
Kidnap Tom.



Gonzorgo:
[to Rodriego who is writing down the plan] Kidnap Tom.


[Rodriego makes a motion across his throat with a pencil]



Gonzorgo:
No, just kidnap him.



Barnaby:
Item Two:



Gonzorgo:
Item Two:



Barnaby:
Throw him in the sea.



Gonzorgo:
[to Rodriego] Throw him in the sea.


[Rodriego again makes a motion to about killing Tom]



Gonzorgo:
No, no. Just throw him in the sea!



Barnaby:
Item Three.



Gonzorgo:
Item Three.



Barnaby:
Mary's sheep. These sheep support her. Somehow, I must thwart her. She's much too independent with them, therefore, she must be without them. Steal the sheep.



Gonzorgo:
[to Rodriego] Steal the sheep.


[Rodriego makes a repeated stabbing motion with his pencil]



Barnaby:
[grabs Rodriego around the neck using his cane] No *steal* them!

More [06/16/2016 01:06:42]
[after viewing film shot by Fritz Lang]



Jerry Prokosch:
You've cheated me, Fritz. That's not what is in that script.



Fritz Lang:
It is!


[he pulls the script away from Jerry, who is attempting to grab it out of his hand]



Fritz Lang:
Oh, no!



Jerry Prokosch:
Get the script, Francesca.


[he reads the script and then changes his tone]



Jerry Prokosch:
Yes, it's in the script. But it's not what you have on that screen.



Fritz Lang:
Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.

More [06/16/2016 01:06:42]
[last lines]



Merlin:
Why, they might even make a motion picture about you.



Arthur:
Motion picture?



Merlin:
Oh. Well, that's something like television... without commercials.

More [06/16/2016 01:06:42]
[from the teaser]



Batman:
Emergency! Batman speaking... warning all of you to brace yourselves for big news!



Robin:
The biggest!



Batman:
Tell them, Robin.



Robin:
Holy Superlatives, Batman! It's *really* exciting! Soon, very soon, Batman and I will be Batapulting right out of your TV sets and onto your theater screens!



Batman:
That's right, Robin. Our first full-length feature motion picture opens a *whole* new world of thrills! The Big Screen gives us mores space on land, sea, and in the air, to challenge the most Bataclysmic collection of supercriminals that ever plotted to take over the world!

More [06/16/2016 01:06:42]

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Quotes of the month

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