Charlotte RAMPLING

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Charlotte RAMPLING

Charlotte RAMPLING

A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all.More Charlotte RAMPLING [08/11/2006 12:08:00]
Acting came, sort of, out of the blue.More Charlotte RAMPLING [08/11/2006 12:08:00]
And then I was in Signs And Wonders, and played Miss Havisham in Great Expectations.More Charlotte RAMPLING [08/11/2006 12:08:00]
But I'm in a sense fearless when I'm doing things.More Charlotte RAMPLING [08/11/2006 12:08:00]
Certainly, with George Devine, I learnt stillness, I learnt actually that movement wasn't necessary and you could convey all - we worked a lot with masks - through being still.More Charlotte RAMPLING [08/11/2006 12:08:00]
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.More Charlotte RAMPLING [08/11/2006 12:08:00]
I can occupy myself quite easily with what's going on inside me.More Charlotte RAMPLING [08/11/2006 12:08:00]
I decided a long time ago that it's easier to spontaneously say what you think. Quite often you can get to know yourself a bit.More Charlotte RAMPLING [08/11/2006 12:08:00]
I did that film just so I could kiss Robert Redford.More Charlotte RAMPLING [08/11/2006 12:08:00]
The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.More Charlotte RAMPLING [03/29/2018 05:03:36]
To grieve is something extremely difficult, we don't even know how to begin to grieve, and I don't know how you can be taught to grieve.More Charlotte RAMPLING [03/29/2018 05:03:36]
You can never really judge your work because once it's done, it's done.More Charlotte RAMPLING [03/29/2018 05:03:36]
You cannot watch yourself dispassionately.More Charlotte RAMPLING [03/29/2018 05:03:36]
I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there. And I loved it.More Charlotte RAMPLING [03/29/2018 05:03:36]
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.More Charlotte RAMPLING [03/29/2018 05:03:36]
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.More Charlotte RAMPLING [03/29/2018 05:03:36]
Cinema d'auteur, cinema about people, about emotions. About la difficultĂ© d'ĂȘtre, the difficulty of being, existential problems. That's what the nouvelle vague is. The early '60s was all about that.More Charlotte RAMPLING [03/29/2018 05:03:36]
When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.More Charlotte RAMPLING [03/29/2018 05:03:36]
When I take on something , I take the whole thing on.It's not even a question of separating "Oh, am I going to be naked" I go with my whole person.More Charlotte RAMPLING [03/29/2018 05:03:36]
What beauty brings is huge. It brings great privilege, great power and potential to do many things. If you are beautiful, doors open for you; people smile at you; you are accepted in places where others aren't. So the relationship that people have with beauty, in a sense, is almost deforming.More Charlotte RAMPLING [03/29/2018 05:03:36]
Because one has the animal instinct to seek out the people that suits one - you see people that go on life's journeys and get muddled along the way. If you look at their lives they've always gone with the wrong people... can you say it's the wrong people - I don't know...More Charlotte RAMPLING [03/29/2018 05:03:36]
You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.More Charlotte RAMPLING [03/29/2018 05:03:36]
By trying to control everything we become very neurotic, more and more desperate. It's a huge tragic thing.More Charlotte RAMPLING [03/29/2018 05:03:36]
I've always been monogamous - [within it] I've been in love with people, but very platonically. For me, monogamous love is about learning how to be able to trust someone completely; so you need to be able to think you can trust them. But that doesn't mean you can't have extraordinary feelings for other people and not feel guilty about them, but not necessarily go and wreck marriages and consummate, and you don't have to do all that.More Charlotte RAMPLING [03/29/2018 05:03:36]
I am not qualified to be a Dame. To be Dame you have to represent England in a way that I don't.More Charlotte RAMPLING [03/29/2018 05:03:36]

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