Albert Finney

Albert Finney

His role as Hercule Poirot in 'Murder On The Orient Express' (1974)
Finney was born on 9th May 1936 in the working class town of Salford, Lancashire. He attended RADA, graduating in 1955. Before long he won the coveted spot as understudy for Laurence Olivier in Stratford-upon-Avon, on one occasion stepping into the great man's shoes to play the title role in Coriolanus. After a small role in The Entertainer, Finney won critical praise for his role as the 'angry young man', Arthur Seaton, in Karel Reisz's Saturday Night and Sunday Morning (1960). His success led to the title role in Tom Jones, Tony Richardson's film scripted from the Henry Fielding novel by John Osborne. Wenching, feasting and quaffing ale, Finney helped the film to triumph at the Academy Awards where it won four Oscars. Finney continued to perform and direct on stage, with the National Theatre Company at the Old Vic, playing Shakespeare and modern roles. He won Tony nominations for Luther (1961) and A Day in the Death of Joe Egg (1968), and a best actor Olivier Award for Orphans. His next film, in 1967, paired him with Audrey Hepburn in Stanley Donan's Two for the Road and was another critical success. In 1965 he founded Memorial Enterprises Productions with actor Michael Medwin. The company was responsible for several outstanding features including Finney's directorial debut Charlie Bubbles (1967), and Lindsay Anderson's if.... (1968) and O Lucky Man! (1973). Finney has played a huge range of characters, from Scrooge to the Pope, a bickering husband to a werewolf hunter, Hercule Poirot to, most recently, Winston Churchill. He won an Oscar nomination for his performance in 1982's Shoot the Moon, for his role as a boozy Shakespearean actor in The Dresser and for his role in John Huston's Under the Volcano (which also earned him a Golden Globe nomination). In the late 80s and early 90s Finney took diverse and challenging roles primarily in small independent productions such as the Coen brothers' gangster movie, Miller's Crossing (1990). In 1999 he won a best actor BAFTA for his role in the TV drama A Rather English Marriage, co-starring Tom Courtenay. Finney and Courtenay have worked together several times including in The Dresser and on stage in the original London cast of hit play Art. Finney excelled as the attorney Ed Masry, the perfect foil to Julia Roberts' brassy Erin Brockovich, securing Golden Globe and Academy Award nominations for best supporting actor. He has been married twice, to Jane Wenham by whom he had a son, and to Anouk Aimee until 1978.Source: bfi.org.uk
Maybe don't make it so.More Albert Finney quotes [03/29/2018 05:03:36]
I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.More Albert Finney quotes [04/06/2006 12:04:00]
I don't think that we necessarily lie. I mean, we make our living by pretending that we're someone else. I don't tell tall tales. I always tell the truth.More Albert Finney quotes [04/06/2006 12:04:00]
I haven't seen the film yet because I just got in from London. In the scenes where the two characters are bantering with each other, it is like bobbing at the net in tennis.More Albert Finney quotes [03/29/2018 05:03:36]
We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.More Albert Finney quotes [03/29/2018 05:03:36]

Quotes of the month

Mickey Rourke [The tension] between the Christians and Muslims goes back to the Crusades, doesn't it? It's too easy to blame everything on one guy. These are unpredictable, dangerous times, and I don't think that anyone really knows quite what to do. [03/29/2018 05:03:36] More


Mick Jagger Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign. [03/29/2018 05:03:36] More


Anson Dorrance What it comes down to is intense desire. To get this winning edge, you need to build an indomitable will. This means you must be relentless; you must never give up. [03/29/2018 05:03:36] More


Eric Hoffer Sometimes we feel the loss of a prejudice as a loss of vigor. [03/29/2018 05:03:36] More


Jeff Foxworthy People should see your faith. If all you do is talk about your faith and people don't see it, but they ought to see it in the way you treat your family, you treat your friends, you treat your community. [03/29/2018 05:03:36] More