Ellen Barkin

Ellen Barkin

Her role in 'The Big Easy' (1986)
An offbeat actress with unusual looks and eclectic list of credits, Ellen Barkin has always managed to keep a low profile, even after she began steaming up the screen through a series of sexually charged performances in the late 1980s. A tremendously gifted actress who has chosen to focus her career on smaller, often quirky roles in independent films and the occasional mainstream production, she remains a somewhat enigmatic personality - which seems to suit her just fine.Born in the Bronx in 1954, Barkin took to entertainment as a child, attending New York's prestigious High School for the Performing Arts, studying history and drama at Hunter College, and eventually honing her craft at the Actor's Studio. Stage performances in "Irish Coffee" and "Extremities" and soap work on "Search for Tomorrow" eventually gave way to feature films, beginning with an uncredited debut in Cheech and Chong's Up in Smoke (1978). In 1982, Barkin garnered worthy praise and serious attention as the lone female member of the ensemble cast of Barry Levinson's classic Diner. Well received work in Tender Mercies, Daniel, Eddie and the Cruisers, (all 1983), Harry and Son and the cult hit The Adventures of Buckaroo Banzai (both 1984) kept her busy, but it wasn't until 1986 and her supporting role in Desert Bloom as the sexy divorcee in 1950s Las Vegas that her natural sex appeal was revealed on screen. The following year she steamed up The Big Easy alongside Dennis Quaid and gained legions of devoted male fans in the process. After appearing in Siesta (1987) where she met future husband (1988-1993) Gabriel Byrne, Barkin once again had moviegoers talking, this time as the uninhibited murder suspect involved in an erotic relationship with detective Al Pacino in Sea of Love (1989). She continued her foray into sexual role playing by worked wonders with a rather bland script in Switch (1991) playing a man who wakes up one morning to find himself a woman. Barkin's flare for comedy was given greater exposure opposite Jack Nicholson in Man Trouble (1992) and she has, thankfully, returned to the genre often in the last few years, most notably as the trailer park dwelling mother of a Minnesota beauty pageant wanna-be in Drop Dead Gorgeous (1999), and a web-savvy talk show host boss in Someone Like You (2000). Able to hold her own quite affectively opposite the likes of Robert DeNiro and a young Leonardo DeCaprio in This Boy's Life (1993), Barkin finally gained some industry recognition in 1997 with an Emmy for her devastating portrayal of an alcoholic, abusive single mother in the 1960 in "Before Women Had Wings."Though she continues to appear on film occasionally, these days Barkin dedicates most of her time to her two children and second husband, Ron Perelman, Chairman of the Board of Revlon, Inc.Source: amctv.com
It is clear I was never the Pretty Girl. I had my two front teeth knocked out when I was 10 and didn't fix them until I was 19. I have a crooked smile and a nose that looks like it's been broken 12 times but never has been. My nose was always red, so people called me Rudolph. My whole face is off-center.More Ellen Barkin quotes [03/29/2018 05:03:36]
I like being married. I like taking care of people, having someone to make dinner for.More Ellen Barkin quotes [03/29/2018 05:03:36]
Gabriel Byrne is an extraordinary human being. We have two extraordinary kids and we work at it. We were always friends. He stuck by me through very hard times, and I hope he'd say the same about me.More Ellen Barkin quotes [03/12/2018 02:03:32]
Acting is a matter of giving away secrets.More Ellen Barkin quotes [01/01/2000 12:01:00]
You've got a movie where the pro-choice family gives their daughter no choice. The pro-life family murders. What seems to be the good mother, the kind of hippie painter, sweet and cute mother has no love for her daughter really.More Ellen Barkin quotes [10/11/2011 09:10:40]

Quotes of the month

Anatoly Yurkin Making mistakes and repeating mistakes is the responsibility of the user to the insatiable Big Data. [02/11/2019 12:02:10] More


Anatoly Yurkin Playability is a virtual means of producing repeatability as a commodity. [01/22/2019 05:01:12] More


Anatoly Yurkin In the digital age, people will remain the operator of repeated actions. [02/16/2019 07:02:28] More


Anatoly Yurkin Digital brand is mozartisten repeated actions, encourages re-action. [02/16/2019 12:02:19] More


Anatoly Yurkin Cosplay is mozartizm imitators. [01/18/2019 05:01:54] More