acting Quotes

My older sisters were in acting, and of course, I wanted to be just like them!

The acting Prosecutor General himself was almost honest, his wife and other relatives stole.

A lot of artists fail when they try to act, and they flop. So when I get into acting, it\'s going to be to do it well, something good, something of quality. I want people to say, \'Wow, that movie\' - or that show or whatever - \'turned out really well.\'

Modeling isn\'t really a tough job. Acting is much harder: so much prep and changing your look and mannerisms. It\'s a more difficult lifestyle being a model. I traveled all the time. Although, now I wonder, because I travel all the time for acting, too. So they both have their difficulties.

I just went to an acting agency one day and just said, \'I would like to act. Would you take me?\' And they took me.

I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, \'Okay, that\'s enough, I have to start doing something.\' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.

When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren\'t like - it wasn\'t even like they were really trying to go for a laugh, especially in Phil Hartman\'s case.

When you\'re performing, you\'re playing to the back row. With acting, you have to be more nuanced.

I spent so many years acting as my own booking agent and manager, just to get out there and play shows. You have to show you really want it.

Singing is about telling a story. When you are onstage, you get to be your own self... When acting, you\'re someone else.

When I\'m recording my album, I want to be acting, or when I\'m on set, I want to be making music. I guess we\'ll see how it turns out and which one overpowers the other... but I couldn\'t really see my life without them, both of them.

My first inspiration for acting came from the first episode of \'Hannah Montana.\' That\'s when I knew I wanted to be a singer and an actress.

Labor believes in sustainability. We believe in acting on climate change, not just talking about it.

We need to be acting responsible as adults, and I don\'t endorse in any way the irresponsible use of marijuana. But I do believe we have come to a point in our society where we need to end prohibition. We need to have taxed, regulated marijuana within American communities.

I wanted to learn a little bit about acting, not because I thought I\'d find a star vehicle and set the world on fire, but I thought the discipline of it would be good for me. I met a good coach, and I joined her class - with a lot of hungry young actors who really didn\'t acre if I was a rock \'n\' roll singer or not. I started to learn to get a focus, without having to jump up and down every few seconds.

The real challenge in acting is in comedy. It\'s easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it\'s so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It\'s horrific and you feel like dying right there.

I\'m an actor. I love acting and being able to use my love, my passion, to also contribute to making this a better society, a better democracy, and a better country.

I was pursuing my acting career, but I was silent on the LGBT issue, the issue that was closest to me. I knew if I came out then, I\'d have had to change careers.

The wonderful thing about acting is they\'re always going to need old codgers!

I was blessed with my career. I passionately love acting. And it\'s given me a good livelihood.

At the moment, my trajectory isn\'t to think about acting. I\'m absolutely devoted to The Imaginarium, our projects and directing. And watching and enabling other actors do their thing in our studio is hugely rewarding. I expect at some point I\'ll probably want to go back on stage and do some theater, because I\'ve not done theater in 10 years.

The process of acting is no different [playing human or ape]. You\'re embodying the character. You\'re creating the psychology and the physicality. You\'re living the moment.

It\'s really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It\'s not a type of acting, but rather the use of technology to harness an actor\'s performance and translate it into an ape, another animal, or an avatar of some kind.

it\'s a weird thing with acting and it happens to a lot of actors, not just myself - it\'s like you\'re giving off an I really need to be loved today vibe. My worst moment recently is I fell asleep on the tube in London on the Victoria line 8:30 in the morning and I woke up and there were about five people with iPhones taking pictures.

I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn\'t necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.

When I first did \'The Lord of the Rings,\' I was acting on the set with the other actors, but then I had to go back and repeat the process on my own to do the physical capture on a motion capture stage.

You don\'t really think about 3D when you\'re acting. As a director, you do.

I think acting really helps as a director. It\'s just no question, because you totally understand the acting process.

I remember kind of doing early acting and thinking, \'God, they don\'t paint behind the sets.\' It\'s a bit of a shame, really - \'Oh, what\'s on the other side of this wall? Oh, you can see the plywood.\' I was really disappointed. I just thought that these things were real, from watching things as a kid.

I got Michael Caine\'s book, Acting In Film, and I read it on the plane, desperately trying to glean information from him about how to adapt my craft, which was actually very helpful.