Acceleration is finite, I think, according to some laws of physics.
Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.
Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.
Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays.
It is important that we are coming up on the millennium because what I am experiencing, just being one person out of billions, is the feeling of acceleration. I experience this through my contact with other people.
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