Roger Ross Williams Quotes

American filmmaker, director, and producer

It's a horrible feeling to be mocked and ridiculed because of your race. The first lady of Uganda is a devoted evangelical and beloved by the faith community. At an evangelical conference in Argentina, one minister said, 'Mama Janet has given us the keys to Africa.' She has done that by creating a nation that has embraced a Dominionist form of Christianity that believes that Christians have a God-given right to rule the world. 'Traveling While Black' is about empathy, what African Americans experience in traveling throughout America, and how it hasn't changed that much from the past. If it can be experienced in virtual reality, then perhaps some empathy can be gained. I think what was special about 'Music by Prudence' was the classic story of the title subject's life path - from being an outcast in her society because she was disabled, to someone who picked herself from that despair and elevated herself within that community, and now that society accepting her as much as they formerly rejected her. People identified with that journey, overcoming an obstacle, but still triumphing. Obviously it was an out of body experience to win an Academy Award. I wasn't that much of a Disney buff growing up, but I love the mystical and magical nature of Peter Pan, and I have connected with that character through Owen [Suskind] in making this film ['Life, Animated']. When I first saw a White Dutch person dressed up as Black Pete, I was both sickened and shocked. It's hard to stand next to someone who views your skin color and hair as a costume. As a filmmaker, whenever I get that feeling, I want to explore what motivates people to engage in such offensive behavior and enlighten folks about its origins. The product Disney created actually changed a life, and that was significant to them. They didn't stand in my way at all. I've known Owen's father Ron [Suskind] for years, and this was based on his best-selling book ['Life, Animated']. We worked together as journalists at ABC-TV News, and I knew about the book since its inception. Before he finished it, he approached me and said he thought it would make a great documentary, and I agree with him, and moved forward from there. Why so much interest in Uganda? Why are American conservatives lobbing for hate? The answer is that they feel they have lost the culture war here at home and are exporting their outdated ideas to the developing world. I don't think we're getting the empathy, and identifying with the situations that many African Americans experience. That's the problem with how the story is being reported. I think many Dutch just don't know the history of Black Pete, that he is rooted in slavery, and how he was used to dehumanize a race of people. Once they realize this, many stop using this character, but those who continue are either in denial, insensitive or actually racists. I always compare young missioners to the kids who naively signed up to go to Iraq to fight terrorism. They are just the foot soldiers in the spiritual war that Mike Bickle and Lou Engle are waging against what they consider sin. They will say it is biblical truth, but the Bible says many things, and you don't see anyone saying that slavery is okay or that we should not eat shellfish. Why the fascination with sex? I both didn't know Owen [Suskind] beforehand and didn't have any connection to the autistic community. But Owen wasn't really a problem, because he participated in the writing of the book and wanted people to see him as he truly is. As far as the cameras, Owen lives in the moment and the cameras really didn't distract him. That is what I was more drawn to - creating stories while changing and altering reality. It is our stories [classic Disney films] that make us human - so Owen [Suskind] has become an expert in what connects us and makes us human. That got to me, the power of these stories, and the lessons these tales give us to create the connection between us. While growing up, I lived in my own fantasy world. I had kind of a rough childhood, so I created my own reality. Racism is a global problem and it is as damaging to Whites as it is to non-Whites. Everyone must fight against it. [Zwarte Piet] is unfortunate, and just like the early American blackface films, if it offends a segment of the population, it shouldn't be shown again. Someone sent an email to Reverend Joanna Watson [an American missionary] saying that I'm gay, and she sent it to all the anti-gay pastors in Uganda. One of them said, 'We're going to take care of this guy.' When I was confronted by them I didn't know what they were going to do, but they decided to pray over me. They said they were going to cure me. That didn't work, of course. The challenge and the goal was to get inside Owen's [Suskind] world, because I really wanted to see it through his point of view. To achieve that naturalism, I used a screen in front of a camera as I interviewed him I mentioned before, these [classic Disney films] are classic mythological tales, a hero's journey, and have been told for thousands of years. Disney has d them, and made them accessible for us. Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life. Symbolic racism is hurtful and it is especially hurtful to Black children who get called Black Pete in school and grow up with the sense that they are inferior to white kids. Owen [Suskind], in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people. There is much institutionalized racism in The Netherlands and the non-White population is just now beginning to fight for their rights. I had full access to the material, and had a great relationship with Sean Bailey, the president of Disney productions. He really guided me through the licensing process of the footage. I made presentations to the various departments at the studio, and they were moved by Owen's [Suskind] story. They embrace them because they represent everything that America represents: money, power, and freedom. Why else would you see an old Ugandan woman respectfully listen to a 22-year-old white girl from America telling her what she should or shouldn't believe? Racism was never acceptable to the people who suffer from it. I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.

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