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Quotes about movies

  • I'm doing a Dylan Thomas film, Map of Love, with Mick Jagger producing again. It's a wonderful script. (Blackwood Nina)
  • It's difficult to get films made, especially films about poets. (Blackwood Nina)
  • My focus never wavered; I never accepted the film was not going to be finished. (Blackwood Nina)
  • Nobody had filmed at Hampton Court Place as we had. The last thing you want to do is leave your set at Hampton Court Palace! (Blackwood Nina)
  • People go to see a film because it's a great story and it's visually exciting to watch. (Blackwood Nina)
  • Sometimes people say to you that you should try to be in a bigger film, but it's the way it pans out. (Blackwood Nina)
  • Sometimes you just can't walk away from films you're offered, like the Dylan Thomas thing. (Blackwood Nina)
  • When you do bigger films, the financiers take more risks. (Blackwood Nina)
  • You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry. (Blackwood Nina)
  • “Drew Carey's Green Screen Show.” (Blackwood Nina)
  • “The Drew Carey Show.” (Blackwood Nina)
  • A lot of films come out before they're finished. (Blackwood Nina)
  • I have a tight family group that's really important to me. I don't want to work all the time. (Blackwood Nina)
  • It's hard to see a film that's been made from a book that you really loved because it's such a different experience. (Blackwood Nina)
  • How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand. (Blackwood Nina)
  • It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that. (Blackwood Nina)
  • It's becoming increasingly harder and harder; there's no such thing as independent film anymore. There aren't any, they don't exist. In the old days you could go and get a certain amount of the budget with foreign sales, now everybody wants a marketable angle. (Blackwood Nina)
  • Rather like Batman, I embody the themes of the movie which are the values of family, courage and compassion and a sense of right and wrong, good and bad and justice. (Blackwood Nina)
  • The film follows very much in the tradition of social realism, because I wanted to see a subject like this tackled with honesty. (Blackwood Nina)
  • Your own barometer is all you have to go by, and often what makes a good director is knowing when not to say something. On occasions you can find yourself on a film set where the person who is wearing the director's hat is only trying to justify his position. (Blackwood Nina)
  • “I've directed enough in the theatre and a couple of films to know that - to feel fairly secure that if I find a story that I really like I can probably get it done somewhat.” (Blackwood Nina)
  • “Mice And Men was only the third movie I had acted in and since then I've done more television and bigger, more demanding roles.” (Blackwood Nina)
  • “You've got to keep taking certain risks, because my priority is in acting, it's not in movie stardom.” (Blackwood Nina)
  • “Pirates of the Caribbean.” (Blackwood Nina)
  • “I would always slip away to the cinema. I always found something absolutely extraordinary about the fact that these actors were always kind of kicking hard at some new dimension they were doing on film.” (Blackwood Nina)
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