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Quotes about movies

  • Of all my films, Babes in Toyland is my favorite. (Blackwood Nina)
  • Working on my first feature film, The Shaggy Dog, was very exciting. (Blackwood Nina)
  • “I wouldn't mind being in an American film for a laugh, but I certainly don't want to be in Thingy Blah Blah 3, if you know what I mean.” (Blackwood Nina)
  • “After Amelie was such a huge success that, strangely, I didn't want to do a movie which could be a huge success. I wanted to go and to do something smaller and more discreet.” (Blackwood Nina)
  • I know actors come around and they always talk like that, but I don't do publicity if I don't like the film. (Blackwood Nina)
  • I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated. (Blackwood Nina)
  • After all, film is so porous, and to my mind, so oddly occult, that I think that film itself absorbs odd energies like a living skin. (Blackwood Nina)
  • Black Sunday feels like a silent film, with a sumptuous visual baroqueness and certain images that are incredibly powerful - the coach and horses, for instance, implying the coach of death, as ominous as any Bergman image. (Blackwood Nina)
  • Cult films usually have an element of unease - anarchy, transgressing certain taboos; they are almost always excessive and camp and speak to the counterculture. (Blackwood Nina)
  • Fellini's universe was filled with processions and parades: occult, mystical, generous, bestial, allusive, full of the fantastical, of mythic odyssey and solitude, composed with great tenderness. (Blackwood Nina)
  • I can recognize if a film is shot in Italy in a nanosecond by the luminosity of its light. (Blackwood Nina)
  • It is interesting to note that the best periods of Italian horror films came out of the Sixties, when Italy was enjoying a carnival period of phenomenal optimism, and the shadowy side surfaced with all of its attendant dark, beautiful, baroque, catholic symbolism. (Blackwood Nina)
  • It was said that Ricardo Freda wrote Dr. Hichcock in one week on a bet that he could complete a film from beginning to end of editing within one month. (Blackwood Nina)
  • This was unimaginable to me, that one could actually have a great time making a film, that it could be a blast despite the medieval solemnity. (Blackwood Nina)
  • Stage and film are just two wildly different animals. Why compare the two? (Blackwood Nina)
  • The show reveals itself to me sometimes; it's kind of spooky. I really dig that. (Blackwood Nina)
  • The challenge of film is making it right there at that moment, and then you get to move on. (Blackwood Nina)
  • You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much. (Blackwood Nina)
  • “I don't take the movies seriously, and anyone who does is in for a headache.” (Blackwood Nina)
  • “We movie stars all end up by ourselves. Who knows? Maybe we want to.” (Blackwood Nina)
  • “The more people involved in making a movie, the worse it is, generally.” (Blackwood Nina)
  • “The movies I usually do are maybe three or four weeks because they don't have a lot of money.” (Blackwood Nina)
  • “The movies I'm in not a lot of people see, but it's alright.” (Blackwood Nina)
  • “I had never done anything with blue screen before, or prosthetics, or anything like that. Lord of the Rings was like stepping into a videogame for me. It was another world completely. But, to be honest, I basically did it so that I could have the ears. I thought they would really work with my bare head.” (Blackwood Nina)
  • “You can't be trying to make a film that pleases all people, you know, so it's not a concern of mine,” (Blackwood Nina)
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