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Quotes of Tim Roth

1933 American Novelist
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  • A character I would love to play is Iago, from Othello. (character)
  • Acting is a short, sharp shock, and then I have a two-year break to do some directing. I mean you have to stop-OK, be serious about it-so I've put the kids through school. (acting and actors)
  • Before I started, I worried about what I was going to say to the actors. It kept me awake at night. Sometimes you get the questions wrong. (acting and actors)
  • Bring back dueling, I say. Drive-by sword fight. (unknown)
  • British acting schools are diferent. There is a cultural difference. Americans, Africans, British, I'm not sure we share a language. (acting and actors)
  • Certainly coming to America has been extraordinary. (america)
  • Doing comedy for film is always a challenge because you are in the hands of the editor after the fact. I am hoping I can do some more soon, I enjoy doing comedy. (comedy and comedians)
  • Everyone is an abused child, if you think about what governments do. (unknown)
  • Extra work sucks. Get out quick. (work)
  • For me, acting's just great fun. A lot more fun than making sculptures, so that's what I wanted to do. It wasn't any great calling-maybe years later, when I'm 60 or whatever, I'll pretend it was, who knows?! But acting is just the most fun I could ever possibly have in my life... and it still is. (fun)
  • How would you compare Polanski or Kubrick? I try not to do any comparisons. (celebration)
  • I believe there is also a Tim Roth Monastery. (unknown)
  • I can't do anything else. So if this falls through, I'm screwed. (unknown)
  • I didn't want to make soundtrack film or a gun movie. These are the reasons I wanted to make a movie. I wanted to make an adult movie. (movies)
  • I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen. (acting and actors)
  • I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance. (movies)
  • I like the Knicks, the Knicks are OK. (unknown)
  • I love Charleston. That was one of the best experiences I have had making a film. I'm back to Carolina to do my next film. (movies)
  • I miss my family, and I like being a tourist when I go back. (family)
  • I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned. (work)
  • I studied Speed Racer, Gigantor, and other pop culture TV courtesy of Quentin. (music)
  • I think every director has a different take, some are good, some are bad. The directors you get on best with sometimes don't make the best films, so who's to say who is right. (direction)
  • I try and take the family with me everywhere I can. It's getting harder the more kids I have. But celibacy sucks. (family)
  • I will watch everything that Cary Grant did, or Kubrick made or Bergman. (unknown)
  • I'd seen musicians act, and it scares me. And they make more money than me. (art)
  • Roth, Tim

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