Stewart Copeland

Stewart Copeland

After rising to international stardom with the Police, Stewart Copeland largely rejected his pop music past to pursue a career as a composer, authoring a prolific series of film scores, operas, and ballets. Born July 16, 1952 in Alexandria, Egypt, Copeland - the son of a CIA agent - spent his formative years in the Middle East but attended college in California before settling in England in 1975 and playing drums with the progressive rock unit Curved Air. Following the group's dissolution, he founded the Police with singer/bassist Sting and guitarist Henri Padovani (the latter soon replaced by Andy Summers). Beginning with their first hit, 1979's "Roxanne," the trio emerged as one of the most popular and innovative bands of the post-punk era, drawing upon reggae, funk, and world music to create a uniquely infectious yet cerebral brand of pop which generated a series of smash singles including "Every Little Thing She Does Is Magic," "Every Breath You Take," and "King of Pain." While with the Police, Copeland -- who in 1980 issued a solo record, Music Madness from the Kinetic Kid, under the alias Klark Kent -- not only earned wide critical acclaim for his intricate, textured drumwork, but he contributed many of the group's songs as well. At the peak of their commercial success, the Police disbanded after touring in support of the 1983 blockbuster Synchronicity; by that time Copeland was already established as a film composer, however, earning a Golden Globe nomination for his score to Francis Ford Coppola's Rumble Fish. In 1985 he released The Rhythmatist, the product of his musical pilgrimage to Africa, followed by an ever-increasing number of film scores including a pair of Oliver Stone features, Wall Street and Talk Radio, in addition to acclaimed projects like Ken Loach's Raining Stones, Four Days in September and West Beirut as well as many more mainstream Hollywood productions. Copeland's other work includes a stint with the pop-fusion trio Animal Logic as well as authoring the San Francisco Ballet's King Lear, the Cleveland Opera's Holy Blood and Crescent Moon, and Ballet Oklahoma's Prey.Source: drummerworld.com
[If] you don't have any soul and you don't have any talent, jazz is what you should do. ... any fool can do it; all you gotta do is practice.More Stewart Copeland quotes [03/29/2018 05:03:36]
That whole thing of replicating what others do is a siren call. The sirens lure you to the rocks of unoriginality.More Stewart Copeland quotes [03/29/2018 05:03:36]
I studied music for my first two years in college. When I went to UC Berkeley, I failed the admission requirements to get into the music school there, so I studied communications and public policy, which actually were a greater engine for my career than a musical education would have been. If I had gotten into the music department at Berkeley, I'd probably be a timpanist in an orchestra right now.More Stewart Copeland quotes [03/29/2018 05:03:36]
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.More Stewart Copeland quotes [03/29/2018 05:03:36]
Music has an immediate effect. If you want to go beyond that and look underneath, film is a good way of explaining.More Stewart Copeland quotes [03/29/2018 05:03:36]

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