Garry Marshall

Garry Marshall

His role in 'Pretty Woman' (1990)
The career of producer/director Garry Marshall has been marked by many peaks, the highest of which include such classic television sitcoms as The Odd Couple (1970-1975), Happy Days (1974-1984), and Mork and Mindy (1978-1982), and the phenomenally popular feature film Pretty Woman (1990). A Brooklyn native, Marshall (born Gary Marsciarelli) is the son of an industrial filmmaker and a dance instructor. His sister, Penny Marshall, is a comic actress and noted film director. Marshall majored in journalism at Northwestern University and subsequently served a stint in the army before becoming a reporter for the New York Daily News. He was also a jazz drummer in a band before becoming a television comedy scriptwriter for such artists as Joey Bishop and Phil Foster and the writer for Jack Parr on The Tonight Show.Marshall moved to Los Angeles in 1961, but he didn't make it big until he teamed up with writer Jerry Belson. Together, they penned numerous episodes for several sitcoms, notably The Dick Van Dyke Show and The Lucy Show. In 1970, Marshall produced The Odd Couple, which starred Jack Klugman and Tony Randall and was based on a popular Neil Simon play and movie. He reached his apex as a television producer during the '70s, with such hits as Laverne and Shirley (1976-1983) (a Happy Days spin-off starring sister Penny) and Mork and Mindy. In addition to his producing and television directorial efforts, Marshall occasionally appeared as a supporting actor.In features, Marshall co-produced and co-wrote (with Belson) his first film, How Sweet It Is!, in 1968. A year later, the two produced and penned The Grasshopper. Marshall made his directorial feature film debut in 1982 with Young Doctors in Love, a comic look at daytime serials. As a film director, Marshall's output has received uneven critical reviews. Films such as the Goldie Hawn/Kurt Russell vehicle Overboard and the Bette Midler/Barbara Hershey melodrama Beaches (1988) had good box-office business, but were considered of average quality. 1990's Pretty Woman was Marshall's first big movie hit. Following its tremendous success, he tried his hand at a serious drama with Frankie and Johnny (1991) starring Al Pacino and Michelle Pfeiffer. Since then, Marshall's films have tended more toward sentimental and straight dramas such as The Twilight of the Golds (1997) and The Other Sister (1999). Marshall returned to comedy -- and to his teaming of Julia Roberts and Richard Gere -- in 1999 with Runaway Bride.In addition to his work behind the camera, Marshall has occasionally appeared as an actor in films and television shows alike. During the mid-'90s, many TV audiences came to recognize him for playing Candice Bergen's ratings-crazy boss, Stan Lansing, on Murphy Brown. Source: tv.com
Learn to work with people you wouldn't go to lunch with.More Garry Marshall quotes [03/29/2018 05:03:36]
[Beaches] is a pretty picture and I just liked having somebody like Bette [Mudler] who can be flying in the big comedy scenes and have her do more like a realistic part.More Garry Marshall quotes [03/29/2018 05:03:36]
When I edit, I'm not from the school of Hello, I'm a genius, so everybody shut up. I'm from the school of Let's play it once in front of an audience, and then I'll tell you where it is going.More Garry Marshall quotes [07/22/2011 01:07:57]
I made nepotism an art form, so I get to work with a lot of relatives and they're part of it.More Garry Marshall quotes [03/29/2018 05:03:36]
I was very proud of that, of taking women and making them vulnerable and so I continued doing that. Right after Beaches I did "Pretty Woman", then I did "Frankie and Johnnie" and then I did "Other Sister" and "Princess Diaries" so that helped me get into the vein there of understanding women and trying to make them very pretty and very interesting.More Garry Marshall quotes [03/29/2018 05:03:36]

Quotes of the month

Anatoly Yurkin The result is always a solution to the problem of alienation. (Anatoly Yurkin) [03/25/2020 01:03:36] More


Anatoly Yurkin Reflection is an avatar craft. (Anatoly Yurkin) [03/23/2020 08:03:47] More


Anatoly Yurkin Emotion is always a competitor to reason. (Anatoly Yurkin) [03/15/2020 07:03:30] More


Anatoly Yurkin Avatar the norm. (Anatoly Yurkin) [03/16/2020 02:03:41] More


Anatoly Yurkin Thinking is a platformization of existence. (Anatoly Yurkin) [03/07/2020 02:03:55] More