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Quotes: 110088
Authors: 9186
Themes: 1391
Proverbs: 1030
Movie: 1188
Quotes from Movie: 41515
Cartoons: 39
Quotes from Cartoons: 2725

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As much as I didn't want to change, lifestyles do change. (Christopher Atkins (205))


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Brooke might tell a different story, but I've always loved the water. (Christopher Atkins (205))


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Brooke was special in the sense that we grew up together on that island. (Christopher Atkins (205))


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Everybody wants to be like everybody else. (Christopher Atkins (205))


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Hollywood wants press, any kind of press. (Christopher Atkins (205))


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I always wondered if I was supposed to be excellent at something or not. I think, because of that, I have a lot of insecurities about myself. (Christopher Atkins (205))


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I became a very angry person and it was all due to alcoholism. (Christopher Atkins (205))


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I figured that, if you do a vampire movie in Hollywood, you've made it. (Christopher Atkins (205))


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I had A LOT of coaching for the movie and no, I have never sung professionally before. (Christopher Atkins (205))


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I sat backstage and had a beer with Richard Chamberlain, Paul Newman, and Princess Grace. (Christopher Atkins (205))


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I think the United States is way behind the times. (Christopher Atkins (205))


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I thought that would be kind of cool, to make a bad guy look sympathetic. (Christopher Atkins (205))


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I truly, truly believe that I was going in that direction and all of a sudden fate took me and put me here. It's like something else has other plans for me. (Christopher Atkins (205))


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I wanted to be a doctor in sports medicine; I was into sailing and all that sort of thing. (Christopher Atkins (205))


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I'm a very big believer in fate. (Christopher Atkins (205))


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I'm really a romantic at heart. (Christopher Atkins (205))


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I've been a scuba diver since I was 16 and I think that was one of the reasons they chose me. (Christopher Atkins (205))


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It's only in the United States that they make a big deal about nudity. (Christopher Atkins (205))


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Larry Hagman was a huge star, and he was carrying my stuff for me. (Christopher Atkins (205))


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Let me tell you something: if you're on an island for three and a half months and you're four and a half hours by boat from the nearest store, and there's nobody but 30 crew members on the island, I guarantee that you'd be running around without your clothes on. (Christopher Atkins (205))


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One of my favorite stories is my first kissing scene with Linda Gray. (Christopher Atkins (205))


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The guy who owned that island was from Oregon and he decided that he wanted to have an Oregon feeling to it, so he planted pine trees all over the place! (Christopher Atkins (205))


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There are times when directors just don't know what they're doing. (Christopher Atkins (205))


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They built these little tanning booths for Brooke and I to do nothing but lay down and tan all over. (Christopher Atkins (205))


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Usually I get recognized for The Blue Lagoon or Dallas. (Christopher Atkins (205))


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We also shot at a location that was an Aboriginal sacred ground for the shots coming up the cliff. (Christopher Atkins (205))


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Well, sometimes when you say you want to be like everybody else, you're really saying that you're not. (Christopher Atkins (205))


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Who cares who comes out of the closet or not, so long as you're happy? (Christopher Atkins (205))


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You know, I never expected to enter the movie business. (Christopher Atkins (205))


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And I believe we need heroes, I believe we need certain people who we can measure our own shortcomings by. (Richard Attenborough (205))


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And there are certain things, and they are evident, obviously, without being boring about it, but I mean obviously, the two evident and easy ones being Gandhi and Cry Freedom, there are things which I do care about very much and which I would like to stand up and be counted. (Richard Attenborough (205))


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At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too. (Richard Attenborough (205))


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David has asked me, a number of people have asked me and said, What performance do you like best or what's the best film you've made and so on and I don't really have any hesitation that the film I'm least embarrassed by and ashamed of or uneasy about is Shadowlands. (Richard Attenborough (205))


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I am passionately opposed to capital punishment, and I have been all my life. (Richard Attenborough (205))


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I believe in trade unionism, and I believe in democracy, in democratic trade unionism. (Richard Attenborough (205))


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I came from a family who believed in, in quotes, the Rights of Man, who believed that in order to justify the sort of luxurious life that the majority of us have, related to the whole world, that you had to do something. (Richard Attenborough (205))


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I can't write, I can't paint, I don't compose. (Richard Attenborough (205))


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I do care about style. I do care, but I only care about style that serves the subject. (Richard Attenborough (205))


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I do not have a brain that I long for in dealing with matters of which I am ignorant, that don't come within my ken and a rationale, a reason, and argument and so on, and I can't do that and I'm not in that bracket at all. (Richard Attenborough (205))


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I don't read a great deal of fiction, to my shame, other than the classics. (Richard Attenborough (205))


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I just love biography, and I'm fascinated by people who have shifted our destinies or our points of view. (Richard Attenborough (205))


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I prefer fact to fiction. (Richard Attenborough (205))


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I think it is obscene that we should believe that we are entitled to end somebody's life, no matter what that person has supposedly done or not done. (Richard Attenborough (205))


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I think Tom Paine is one of the greatest men that's ever lived. (Richard Attenborough (205))


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I was on my own union council for twenty-odd years. (Richard Attenborough (205))


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I'm a passionate trade unionist. (Richard Attenborough (205))


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If you've ever seen the film In Which We Serve, but it was about a destroyer in the Mediterranean. (Richard Attenborough (205))


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In other words, if you - the cost of promoting movies, the advertising and promotion of a movie, the budget is almost as large as the cost of the movie. (Richard Attenborough (205))


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Pier Angeli was in the movie called Sea of Sand that Guy Green directed where this idea came up. (Richard Attenborough (205))


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There's nothing more important in making movies than the screenplay. (Richard Attenborough (205))


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Well, I think In Love and War, which had a wonderful performance by Sandy, Sandra Bullock, who the authorities and, the supposed authorities, in cinema didn't want to know about. (Richard Attenborough (205))


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Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique. (Richard Attenborough (205))


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What I am sad about is that there is now, in America, no equivalent to the art circuit. (Richard Attenborough (205))


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A lot of feature films do two pages a day. (Timothy Bottoms (205))


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Even though I was concentrating on that two-week period from September 11th to September 20th, I was seeing the policy for real, happening, that we were talking about in the film. (Timothy Bottoms (205))


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I didn't do this for the President. When I had this opportunity, not only was it work, but it was something that I could do, as an actor, for the victims and their families. Something I could give back. (Timothy Bottoms (205))


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I haven't heard anything from anyone in the administration. (Timothy Bottoms (205))


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I was driven to give the best possible performance I could based on the material that was given to me and that material was documentary footage of the President speaking to people. (Timothy Bottoms (205))


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The DC 9/11: Time of Crisis film was hard to get the part; I had to audition three times. It was very serious and very sobering. We studied and tried to re-create all the stuff that we all saw that day. (Timothy Bottoms (205))


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The one that was most fun was That's My Bush; the part that I did for Comedy Central. That was a hoot. That was more fun that one should be allowed to have. (Timothy Bottoms (205))


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We all remember where we were and we all remember what we were doing. I had a brother in New York, an uncle, lots of friends in New York. It made me angry, it made me sad; what could I do. (Timothy Bottoms (205))


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And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process. (Rene Auberjonois (205))


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And so I've always been fascinated by the technical end of theater, and a lot of my closest friends are not actors, but in the other end of the business. (Rene Auberjonois (205))


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At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun. (Rene Auberjonois (205))


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How many times can you put together 26 different stories without running out? (Rene Auberjonois (205))


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I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people. (Rene Auberjonois (205))


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I did a voice for Odo, but people don't recognize you by your voice. (Rene Auberjonois (205))


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I don't really think of Odo as a heroic lead, but that's nice if you do. (Rene Auberjonois (205))


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I just wait for something to present itself, and then I consider it. (Rene Auberjonois (205))


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I love the fact that it's not only about Star Trek, but about science fiction in general, and science. (Rene Auberjonois (205))


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I really do the conventions now for two reasons. (Rene Auberjonois (205))


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I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great. (Rene Auberjonois (205))


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I would hardly call myself an artist in that sense; I doodle, I draw, I'm not a trained artist, I couldn't sit down and do an accurate portrait of anyone. (Rene Auberjonois (205))


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I'm never going to retire. (Rene Auberjonois (205))


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If you do your job properly you usually learn a lot from any role you do. (Rene Auberjonois (205))


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It always takes awhile to find out who the characters are. (Rene Auberjonois (205))


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My daughter is here in town doing a play, and her dog is staying with us. We live up in the hills, so he has access to thousands of acres of wilderness. (Rene Auberjonois (205))


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The best scene is the last great scene I did. (Rene Auberjonois (205))


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The mask of the character was already written into the show, but I actually lobbied for a denser and more complete mask than they initially considered. (Rene Auberjonois (205))


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They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped. (Rene Auberjonois (205))


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A multi-purpose stadium is an absolute must in order to invigorate our downtown and, simultaneously, let the rest of the country witness that we can get things done. (Alan Autry (205))


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All of the factors that make up a quality city - safe streets, high paying jobs, strong neighborhoods, etc. - emanate from a strong educational premise. (Alan Autry (205))


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Every city across the country that has successfully renewed and revitalized itself points to a robust education system as its fundamental key to success. (Alan Autry (205))


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High tech companies that focus on research, development and production will learn that they can be the perfect complement to our world-renowned agriculture heritage. (Alan Autry (205))


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I am convinced that your Mayor must take the leadership role in education too. (Alan Autry (205))


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I do not believe that defending traditional marriage between one man and one woman excludes anybody or usurps anybody's civil rights and denies anybody their civil rights. (Alan Autry (205))


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I support public and private partnerships whenever appropriate in order to achieve our goal of a prosperous and vibrant downtown. (Alan Autry (205))


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I will lobby tirelessly in cooperation with other mayors around the country to insure that federal funding for our recently added police officers continues. (Alan Autry (205))


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I'll continue to work to ensure that safety and I am honored to have earned the endorsement of the men and women who provide public safety in our city. (Alan Autry (205))


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I'll work overtime to open the doors of opportunity to industry and commerce. (Alan Autry (205))


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In fact, even the perception of a resurgence in crime can be enough to paralyze business momentum and destroy the sense of security that a vibrant and progressive city requires. (Alan Autry (205))


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It cannot take decades to resurrect, we must act immediately with purpose and enthusiasm to rebuild. (Alan Autry (205))


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Leadership demands that we make tough choices. (Alan Autry (205))


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Leadership requires the courage to make decisions that will benefit the next generation. (Alan Autry (205))


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Nothing is more devastating to a community than out-of-control crime. (Alan Autry (205))


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The key to truly rebuilding our central city on a vital and sustainable foundation is people. (Alan Autry (205))


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There has been much talk referencing what I consider conceptual reports like the Landscape of Choice and documents created as a result of the Great Valley Center. (Alan Autry (205))


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We can no longer let the threat of an early frost send a chill of fear throughout a large portion of our workforce. Diversification is the only answer. (Alan Autry (205))


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We must be willing to courageously invest in our city. (Alan Autry (205))


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We must do more to protect our neighborhoods and give integrity to our community plans. (Alan Autry (205))


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We need innovation in education and dedication to the task before us. (Alan Autry (205))


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While it is true that we must seek value added industries like food processing plants and call center operations, we must do what is necessary to expand and develop our economic profile. (Alan Autry (205))


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You don't need a city charter to know that education is the foundation of any community. (Alan Autry (205))


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Your Mayor must seek new ways to bring jobs and industry to our community. (Alan Autry (205))


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