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| And I like music, too, I like playing music. (Beau Bridges (205)) | |
| And then I got into sports and gave my guitar to my brother Jeff who was just a little kid at that time. (Beau Bridges (205)) | |
| And when I've been away from my family and friends, I have felt good hearing some of those old songs. (Beau Bridges (205)) | |
| As an actor, I travel around a lot and live in a lot of hotels, and many times I've been in a town where the only entertainment to be had is what you find in the hotel bar or lobby. (Beau Bridges (205)) | |
| But on the other hand I believe I'm a private person too, and I enjoy that aspect of my life as well. (Beau Bridges (205)) | |
| Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie. (Beau Bridges (205)) | |
| First of all my real full name is Lloyd Vernet Bridges III. (Beau Bridges (205)) | |
| I also like to garden. I grow things, vegetables, flowers... I particularly like orchids. I raise orchids. (Beau Bridges (205)) | |
| I got five kids, and my oldest is a documentary film maker and camera man, and still photographer. (Beau Bridges (205)) | |
| I like to try to make the characters I play be as human as possible. (Beau Bridges (205)) | |
| I think, I would guess most people keep secrets. (Beau Bridges (205)) | |
| I've always been interested in the history of the West, our country and particularly as it relates to the Native Americans - the original Americans. (Beau Bridges (205)) | |
| My brother and I are always trying to figure out a way to work again together. (Beau Bridges (205)) | |
| My father was my teacher. But most importantly he was a great dad. (Beau Bridges (205)) | |
| My favorite Oscar story was a year my brother had been nominated, my whole family went. (Beau Bridges (205)) | |
| My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character. (Beau Bridges (205)) | |
| My mom is many times responsible for getting us all together, but we trade off at each other's houses. My brother and I are actors and are traveling a lot of our job. (Beau Bridges (205)) | |
| Part of the western movement is this desire that we, Americans, have to keep pressing on. (Beau Bridges (205)) | |
| Second, this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films. (Beau Bridges (205)) | |
| Some of my oldest friends are actors. But that's not the only place my friends come from. (Beau Bridges (205)) | |
| Steve and I saw eye to eye on the story and I got the part, but I think in the beginning it was due to my brother's instigation. So I owe him for that. (Beau Bridges (205)) | |
| Sure, I have a lot of friends that are actors. Just because I guess I run into a lot of actors in my work. (Beau Bridges (205)) | |
| The one we keep pitching and there are no takers is The Fabulous Baker Boys Go To Hawaii. There don't seem to be any takers on that one! (Beau Bridges (205)) | |
| The things I enjoy most as I watch the movie are the things that came through without even thinking. (Beau Bridges (205)) | |
| We all feel really blessed to have been with my dad for these 85 years. (Beau Bridges (205)) | |
| Yeah, I'm very impressed with Lifetime, this is the first time I've worked with them. I really like the kind of programming that they're into, so I'm hoping that I will. (Beau Bridges (205)) | |
| Yes, I took up the guitar when I was about 14 or 15, in high school. (Beau Bridges (205)) | |
| Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that. (Gerard Butler (205)) | |
| As long as you do the best work that you can and not make it bland... because you're going down a lane that is trying to make everybody happy. You have to take an angle on these things. (Gerard Butler (205)) | |
| By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from. (Gerard Butler (205)) | |
| Choosing the right mask helps you... We went through many masks. It was very particular leather that as soon as you smudged it, you had to get a new one. We went through about 55 masks. (Gerard Butler (205)) | |
| Funnily enough, when I originally went in for my screen test, that set was already built. (Gerard Butler (205)) | |
| Generally I don't like doing remakes, but I think that's more in the cynical world of Hollywood where normally remakes are purely for commercial reasons. (Gerard Butler (205)) | |
| I always find stuff in my characters to relate to. (Gerard Butler (205)) | |
| I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom. (Gerard Butler (205)) | |
| I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber. (Gerard Butler (205)) | |
| I had to prove myself to a lot of different people. (Gerard Butler (205)) | |
| I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special. (Gerard Butler (205)) | |
| I love doing the stunts. It's as simple as that. (Gerard Butler (205)) | |
| I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals. (Gerard Butler (205)) | |
| I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role. (Gerard Butler (205)) | |
| I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me. (Gerard Butler (205)) | |
| I was getting to bed about 10 P.M. so wound up and not getting to sleep by 11, and because I was putting the prosthetics on for five hours, I had to be up at 3 in the morning. (Gerard Butler (205)) | |
| I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked. (Gerard Butler (205)) | |
| I went from somebody who didn't sing to somebody who didn't speak. (Gerard Butler (205)) | |
| My manager and my agents, they go over my contracts. (Gerard Butler (205)) | |
| The chance to be both artistically appreciated and commercially appreciated... That's what you hope for. (Gerard Butler (205)) | |
| The Phantom, as well as being backed up by that music, it just so was a role that I identified with so powerfully. From the first second that I walked on to perform. (Gerard Butler (205)) | |
| And so I love films that are kind of rural in atmosphere. And you know, it's just a nice place to be day after day. All be it, it can be hard, it can be hard work. You can get hot. (Keith Carradine (205)) | |
| But I love to be outdoors. I prefer being outdoors to, you know, being inside. (Keith Carradine (205)) | |
| He was definitely known as the foremost man killer in the West; however there's controversy about virtually every killing that he was known to have been involved in. (Keith Carradine (205)) | |
| I like the Western genre, I think it's uniquely American. (Keith Carradine (205)) | |
| I've grown this mustache which saves me from having to glue on one every day in the heat. (Keith Carradine (205)) | |
| The Western genre is certainly something with which I'm familiar. (Keith Carradine (205)) | |
| There are people who said he killed over a hundred men. Historical fact doesn't corroborate one hundred men. (Keith Carradine (205)) | |
| There's a great argument about how many men he actually killed. People would tell stories and then as we all know as stories get told over and over again, they get embellished, facts get changed, elaborated upon, exaggerated. (Keith Carradine (205)) | |
| Well you know I've been fan of Tony Hillerman's books for years. (Keith Carradine (205)) | |
| When you get all this stuff on and you put on the guns and the hair, it has an effect on the actor. It tends to lend a certain something to the way you feel as you're just walking around looking that way. (Keith Carradine (205)) | |
| While at the same time knowing that once he had gone down that road, once it was clear that his life was never a peaceful one from that moment on. He always knew that there was somebody that would like to kill him. (Keith Carradine (205)) | |
| You know, for an actor to come into the midst of that, it's - It can either be difficult and somewhat unnerving, or it can be very embracing and like, kind of stepping into a nice hot tub. (Keith Carradine (205)) | |
| And I don't really drink alot of booze, alcohol will kill ya... but I smoke all the pot I can find, I don't smoke it all at once, I just do a little bit at a time, and I uh, I used to take acid but I quit around 1971. (Tommy Chong (205)) | |
| Any excuse to live in New York and do art. Has to be one of the most rewarding experiences in the world. (Tommy Chong (205)) | |
| But on the other hand, pot is the best recreational substance for teenagers, athletes, people who have naturally high adrenaline. (Tommy Chong (205)) | |
| But you can't exercise and be high. It's impossible. (Tommy Chong (205)) | |
| Cigarettes, I won't do cigarettes, nicotine will kill ya. (Tommy Chong (205)) | |
| Every time I get tested, I ask questions about it, and I watch how they do it. (Tommy Chong (205)) | |
| I know, because I tried all sorts of ways of being in character, and the best way is to be totally straight. (Tommy Chong (205)) | |
| I never did smoke that much pot; never was a big pothead. (Tommy Chong (205)) | |
| I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls. (Tommy Chong (205)) | |
| If I don't get paid I'm going to take a whole lot of Marshall amps home with me on the plane. (Tommy Chong (205)) | |
| Just recently up in Utah, some guy got 55 years for selling an ounce of pot to an undercover agent. (Tommy Chong (205)) | |
| Maybe once in a while, you know, after a hard day of shooting or something like that, I'd kick back. (Tommy Chong (205)) | |
| No. Maceo played sax, didn't he, well they used to sit in. (Tommy Chong (205)) | |
| One night all the James Brown band was playing on stage and I look in the back and I could see Mick Jagger and Keith Richards trying to get in the club and they couldn't get in cause it was to crowded. (Tommy Chong (205)) | |
| The funny thing is, Dennis Miller got me back into comedy. (Tommy Chong (205)) | |
| The Shades never recorded anything, Little Daddy and the Bachelors recorded a couple of records, ya. (Tommy Chong (205)) | |
| They just wanted to show the entertainment world that we're vulnerable. (Tommy Chong (205)) | |
| Unfortunately, the American justice system is just riddled with lies and inconsistencies. (Tommy Chong (205)) | |
| We won a contest at the teen fair in Vancouver and the first prize was a recording contract and we recorded at a radio station on the stairway, and we did a record and it got put out. (Tommy Chong (205)) | |
| Well I don't know, I might have lost my citizenship, I don't think you can lose your citizenship though. (Tommy Chong (205)) | |
| Well, I had an after hours club in Vancouver and when any of the Motown acts would call. (Tommy Chong (205)) | |
| You know, I left the country when Reagan got in; I went to France. And when George Bush Jr. got in, my instincts told me it was time to go - I'd felt that we had grown above that, you know? (Tommy Chong (205)) | |
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