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| As soon as the dirt is hitting the casket, it'll all be forgotten. (Eric Bogosian (205)) | |
| Ensemble is hard to do. It's like 3-D chess. (Eric Bogosian (205)) | |
| For a long time, my shows were about people walking out or about getting my gigs canceled or having the presenter not wanting to pay me. (Eric Bogosian (205)) | |
| I do write about people who are complex and are striving with something and can't quite get past their own stuff, which would be a proxy for myself because that's what the deal is with me. (Eric Bogosian (205)) | |
| I don't know anybody who does what I do. I'm very underground. (Eric Bogosian (205)) | |
| I know that I'm inadequate, but I never thought that at seventeen. (Eric Bogosian (205)) | |
| I know that I'm inadequate, but I never thought that at seventeen. I thought I was doing the best I could. I thought I was being idealistic. (Eric Bogosian (205)) | |
| I love playing other people's work. I love acting. (Eric Bogosian (205)) | |
| I provide the bricks and mortar with the words and situations - the director and the actors and the designers build the house. (Eric Bogosian (205)) | |
| I started acting when I was in high school, started writing when I got to New York in 1975. (Eric Bogosian (205)) | |
| I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing. (Eric Bogosian (205)) | |
| I write for an audience that likes what I like, reads what I read, thinks about the things I think about. In many ways, this puts me in opposition to the people who go to the theater generally. (Eric Bogosian (205)) | |
| I write my plays to create an excuse for full-tilt acting and performing. (Eric Bogosian (205)) | |
| I'm always surprised by things that happen to my work. (Eric Bogosian (205)) | |
| I'm not a light-hearted person, so I can't think light-hearted at work. (Eric Bogosian (205)) | |
| If all I ever wrote about was inner city freaks, I think it would be dishonest. (Eric Bogosian (205)) | |
| If we all knew we were going to live to be 150 years old, we'd all approach our lives very differently. (Eric Bogosian (205)) | |
| If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy. (Eric Bogosian (205)) | |
| It's a mental fake-out to myself. I make believe I'm making a new show so I forget the material I was working on and make up some fresh material. (Eric Bogosian (205)) | |
| The world intrudes in my brain daily. Since my brain is dripping with all kinds of stuff that's out there in the world, that I can't seem to be able to shut out, it has to end up being in my work as well. (Eric Bogosian (205)) | |
| Well, the real Eric Bogosian is pretty self-conscious of himself. (Eric Bogosian (205)) | |
| A show needs time to find an audience, and they're very quick to pull them off the air now. (Bruce Boxleitner (205)) | |
| A storyteller is basically what actors and writers are. (Bruce Boxleitner (205)) | |
| As a boy, I didn't need a lot of playmates to have a good time. (Bruce Boxleitner (205)) | |
| Basically I started to jot notes, lots of faxes back and forth to my writer, we faxed ideas throughout the whole first draft, and started all over again. (Bruce Boxleitner (205)) | |
| Certainly, because the computer and computer language was still not as common as it is today. That's one of the reasons I believe Tron wasn't as popular back then as it is today. (Bruce Boxleitner (205)) | |
| I can't believe we're in the middle of the fifth season, and if this is all there is, my God, it went fast. (Bruce Boxleitner (205)) | |
| I enjoy working with Melissa a great deal. We're always looking for projects to do together. I was happy to have her do the show, because she doesn't normally do episodic unless she's starring, and I was very happy with the results. (Bruce Boxleitner (205)) | |
| I read H.P. Lovecraft. I also like Sword and Sorcery stuff, Arthurian legend. (Bruce Boxleitner (205)) | |
| I started in high school and then I went onto professional training after that. (Bruce Boxleitner (205)) | |
| I think every leading man wants to be a character actor, and every character actor wants to be a leading man. (Bruce Boxleitner (205)) | |
| I would love to do a Western again if Westerns came back into fashion. (Bruce Boxleitner (205)) | |
| In television, the audience has to be comfortable with you, and I've managed to prove that I can be in American homes to some degree, and not necessarily where everyone knows me, either. (Bruce Boxleitner (205)) | |
| It's not highly intellectual material. I'm dedicating it to the pulp fiction of the past. (Bruce Boxleitner (205)) | |
| So I had a ghostwriter, they call them, or somebody who is an experienced writer, to help. I've got the ideas in my head, it's getting them properly on paper. (Bruce Boxleitner (205)) | |
| Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look. (Bruce Boxleitner (205)) | |
| That's the great thing about being an actor, you get to try out lots of things for your roles. (Bruce Boxleitner (205)) | |
| The making of television has changed quite a bit. Now you have to do them n cheaper budgets. (Bruce Boxleitner (205)) | |
| The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist. (Bruce Boxleitner (205)) | |
| They've also asked me now to start on another series that we're gonna do after this Frontier Earth. But it's not science fiction, it's more in the Mystery and Crime division and that's another area I'm very interested in. (Bruce Boxleitner (205)) | |
| Will Shatner, Jonathan Frakes of Star Trek have already put novels out. (Bruce Boxleitner (205)) | |
| A mother's got to be there to raise the children. That's all there is to it. I feel badly for those mothers who work hard, and can't do it all the time. (Eric Braeden (205)) | |
| A relationship has to be cultivated. There have to be feelings of love for another first. But then you have to really like the person. (Eric Braeden (205)) | |
| Being in love, and I'm not an expert in this, I've lived it as much as anyone has, but I've not dissected it. (Eric Braeden (205)) | |
| I have a feeling that being in love sometimes means the projection of your desires onto another person. The important thing is that you like the other person, respect the other person and want to raise children with the other person. (Eric Braeden (205)) | |
| I'm not saying that people should not divorce, but at the rate at which it happens here is sick. The kids, they suffer. I don't care what anyone says. (Eric Braeden (205)) | |
| If both parents must work, I think it is more important that the mother has proximity to the child to therefore establish a childcare situation at the big corporations not once a day, but many times a day. (Eric Braeden (205)) | |
| If it's really so wonderful that both partners have to work to make a living to pay for their house, for health insurance, someone is obviously going to get the short end of the stick. (Eric Braeden (205)) | |
| If we keep on ignoring and leaving children to their own devices at home, they become latchkey kids, and trust me, the consequences of that are not good. (Eric Braeden (205)) | |
| If you're a young couple when you start out and are both working, trying to raise children, that is tough. (Eric Braeden (205)) | |
| It's very difficult to judge relationships from the outside. You never know what happens in intimate moments with two people to know why they really support and love each other. (Eric Braeden (205)) | |
| My heart goes out to many women that I've met across the country who barely make enough to make a living, and they want to have kids. That's very understandable, but what do you do with the kids? (Eric Braeden (205)) | |
| Not too many people can afford for the wife to stay home and raise the kids. (Eric Braeden (205)) | |
| Raising children is an enormously important part of life. I think one of the most important, or the most important, period. (Eric Braeden (205)) | |
| Some situations are so hopeless when you look at them from the outside you say, Why are they still married? (Eric Braeden (205)) | |
| The workplace should have a place where the kids can visit. They should have places at the mother's or the father's work where professionals can have their kids visit them whenever they feel like it. (Eric Braeden (205)) | |
| Actually when I gave out the script, I gave it with a CD of all the music I wanted to put in the movie, and again, we never thought we'd get all that music. (Zach Braff (205)) | |
| Gay men in L.A. are all a bunch of tens looking for an eleven. (Zach Braff (205)) | |
| I always liked the story of Noah's Ark and the idea of starting anew by rescuing the things you like and leaving the rest behind. (Zach Braff (205)) | |
| I am really driven, but my drive doesn't effect the conversations I have in my head about life, and my worries and fears and insecurities. (Zach Braff (205)) | |
| I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real. (Zach Braff (205)) | |
| I have a great relationship with my parents. I have not been on lithium. (Zach Braff (205)) | |
| I said, I'm on this TV show and I love doing it, but I don't want to be known always as the silly "Scrubs" guy... So part of me was like, You know what? Life's short. Let's go for it. (Zach Braff (205)) | |
| I think I felt compelled in a way because if I hadn't written the part, I never would have been offered the part. There are at least 10 guys who would have been offered the part before me. (Zach Braff (205)) | |
| I'm by no means condemning prescription medicine for mental health. I've seen it save a lot of people's lives. (Zach Braff (205)) | |
| It used to be that you came out of school, and you got married - those who were going to get married. But my peers are getting married in their early 30s, so now there's like this extra 10 years of that angst. (Zach Braff (205)) | |
| That image is a couple different people's homes that I knew growing up. (Zach Braff (205)) | |
| The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters. (Zach Braff (205)) | |
| Allthough that doesn't happen often lately, I like to read exciting thrillers and those kinky magazines. (Jonathan Brandis (205)) | |
| And sometimes I sit down to write, because that is what I like to do more and more in the future. (Jonathan Brandis (205)) | |
| Because the series is situated in the next century, and for the most part under water, there are many innovative technical gadgets. It's a kind of StarTrek. When I first came there, I was really impressed myself. (Jonathan Brandis (205)) | |
| Furthermore I will just have to see what the future will bring me. But a change of food whets the appetite. (Jonathan Brandis (205)) | |
| However, I hope I am also judged on my accomplishments as an actor and not just on my pretty face! (Jonathan Brandis (205)) | |
| I attended a very small junior high and specially in the end that became a disaster. The principal was pretty senile and a drunk, so the children more or less runned the school. (Jonathan Brandis (205)) | |
| I do look forward to doing things in the future that I haven't done before. Do you know what I have always dreamt about? Playing a serial killer! (Jonathan Brandis (205)) | |
| I do remember that I was sitting in the make-up chair before the shoots for a commercial or film or other, and I thought: Sometime soon they are going to make a close-up of me and millions of people can see how many pimples I've got on my cheeks. (Jonathan Brandis (205)) | |
| I don't like being told someone's interpretation of something that I do. (Jonathan Brandis (205)) | |
| I like strong girls, as long as they don't get snappish. And furthermore I think it important that you are good buddies and she does not get angry when you don't have your day. (Jonathan Brandis (205)) | |
| I mean, I try to say the right things and give the right advice. But still, I'm only a person. (Jonathan Brandis (205)) | |
| I think it's all about how much you love, understand and can relate to the material you are given. (Jonathan Brandis (205)) | |
| I think that my biggest role models are people that have maybe struggled for a while and then finally gotten to their destination. (Jonathan Brandis (205)) | |
| I would like to direct in the future, but I am in no hurry with that. (Jonathan Brandis (205)) | |
| It's of course understandable that people want to know about actors in their favourite series. (Jonathan Brandis (205)) | |
| My mother is my manager and so knows exactly what I do and so on. (Jonathan Brandis (205)) | |
| One time I can stand fiddling in front of the mirror for an hour and another time I think: well hack, this is just the best it can get. Only if I have to go to work I really try to look fantastic. (Jonathan Brandis (205)) | |
| Roy Schneider was cool. I learned quite a bit from him. (Jonathan Brandis (205)) | |
| When you're young, you should live out every weekend. Even if you look like a scarecrow, you just gotta go! (Jonathan Brandis (205)) | |
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