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| After the advent of the written word, the masses who could not - or were not permitted to - read, were given sermons by the few who could. (Theodore Bikel (1466)) | |
| All too often arrogance accompanies strength, and we must never assume that justice is on the side of the strong. The use of power must always be accompanied by moral choice. (Theodore Bikel (1466)) | |
| Although I am deeply grateful to a great many people, I forgo the temptation of naming them for fear that I might slight any by omission. (Theodore Bikel (1466)) | |
| As an artist I have an even more abiding interest in the compact between the Arts and Government. (Theodore Bikel (1466)) | |
| But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel. (Theodore Bikel (1466)) | |
| But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist. (Theodore Bikel (1466)) | |
| By showing hunger, deprivation, starvation and brutality, as well as endurance and nobility, documentaries inform, prod our memories, even stir us to action. Such films do battle for our very soul. (Theodore Bikel (1466)) | |
| Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general. (Theodore Bikel (1466)) | |
| Epistemology is the study of knowledge. By what conduit do we know what we know? (Theodore Bikel (1466)) | |
| For I firmly believe that Jewish life, indeed any communal life, can only be organized according to democratic principles. (Theodore Bikel (1466)) | |
| Having come to live in this age is as though one were to have entered another country. Learn its language or risk being left out. (Theodore Bikel (1466)) | |
| I always sang, I always acted, I always played. (Theodore Bikel (1466)) | |
| I am a universalist, passionately devoted to the cause of equality within the human family. (Theodore Bikel (1466)) | |
| I am determined to give the Yiddish language a fighting chance to survive. (Theodore Bikel (1466)) | |
| I am filled with awe that filmmakers have the capacity to stir us and give us a sense of wonder. Film, like no other medium, makes a visceral appeal to our humanity. (Theodore Bikel (1466)) | |
| I am filled with awe that filmmakers have the capacity to stir us and give us back a sense of wonder. (Theodore Bikel (1466)) | |
| I am not a specialist but a general practitioner in the world of the arts. (Theodore Bikel (1466)) | |
| I do not know who there is among us that can claim to know God's purpose and God's intent. (Theodore Bikel (1466)) | |
| I do prefer the stage. It's really the granddaddy of them all. (Theodore Bikel (1466)) | |
| I have always striven to raise the voice of hope for a world where hate gives way to respect and oppression to liberation. (Theodore Bikel (1466)) | |
| I know for certain of only one commandment, one obligation, that God imposes upon us, and that is to be compassionate toward other human beings. (Theodore Bikel (1466)) | |
| I make no claim that Jewish culture is superior to other cultures or that the Jewish song is better than the song of my neighbor. (Theodore Bikel (1466)) | |
| I prefer to choose which traditions to keep and which to let go. (Theodore Bikel (1466)) | |
| I prefer to make common cause with those whose weapons are guitars, banjos, fiddles and words. (Theodore Bikel (1466)) | |
| I remain convinced that I can be a true universalist only when I am a better Jew. (Theodore Bikel (1466)) | |
| I tried for a while to be an agricultural worker and was hopelessly bored. To me it was meaningless. I would stand around in heaps of manure and sings about the beauty of the work I wasn't doing. (Theodore Bikel (1466)) | |
| I'm exceedingly proud of being an actor, but I never recommend it to anyone. (Theodore Bikel (1466)) | |
| If I have one vanity wish, it would be to direct. It's the only thing I haven't done yet that I would like to. (Theodore Bikel (1466)) | |
| In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event. (Theodore Bikel (1466)) | |
| Must we be put to shame by much smaller and poorer countries, by Ireland, France, Austria or Sweden, who have understood that a nation's support of its arts is a matter of both national pride and cultural survival? (Theodore Bikel (1466)) | |
| All the actors have input as far as story editing and writing. We don't just show up and say the lines. We are involved in writing the show. (Michael Biehn (1466)) | |
| I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes. (Michael Biehn (1466)) | |
| I don't have a computer. I don't know anything about that. I don't even know what a website is. (Michael Biehn (1466)) | |
| I grew up in Arizona and have a lot of buddies that are cowpokes. (Michael Biehn (1466)) | |
| I had a weird situation were someone used my name to extort money from a woman. He took her for 60 or 80 thousand dollars. He is in prison now. It was on Sally. (Michael Biehn (1466)) | |
| I was feeling real good and real manly. Until a real cowboy walked by and told me I had my hat on backwards. So much for my career as a cowboy. (Michael Biehn (1466)) | |
| I would say that one of the things that we are proud of is that we are attracting very interesting guest stars. One is Tyne Daly, who has done a wonderful job. (Michael Biehn (1466)) | |
| I'd rather have a small part in a good film with good people than play the lead in something I don't really care for. (Michael Biehn (1466)) | |
| Right before Mag Seven I did a movie called The Bull Rider. (Michael Biehn (1466)) | |
| Before the baby was born, I was making 2-3 films a year and I won't do that any more because I need to bring up a child so it's the slower journey. (Paul Bettany (1466)) | |
| For some ungodly reason, I end up being naked in a lot of stuff. But there is a certain grace and kudos that come with taking your clothes off on the first day, a respect that is given by the rest of the cast. (Paul Bettany (1466)) | |
| I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to. (Paul Bettany (1466)) | |
| In America, they shoot budgets and schedules, and they don't shoot films any more. There's more opportunity in Europe to make films that at least have a purity of intent. (Paul Bettany (1466)) | |
| It's weird, because usually if you're British and you go to America you play baddies; but I play naughty people here and goodies in America. (Paul Bettany (1466)) | |
| The only thing I think I can be accused of about paparazzi is being really naive. I didn't think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it. (Paul Bettany (1466)) | |
| The trouble with talking about acting is that it's like sex. It's enormously fun to do but just dreadfully embarrassing when you have to talk about it. (Paul Bettany (1466)) | |
| Up until like five seconds ago, I just took what jobs came along. (Paul Bettany (1466)) | |
| I have to say, though, it's a little strange doing both because Durant is very straight and stern and austere. (Corbin Bernsen (1466)) | |
| I love to entertain, I love to make people laugh, cry, and move them, perhaps moving them in their lives. (Corbin Bernsen (1466)) | |
| I saw the excitement, going to different places, being able to explore emotion in a healthy way. (Corbin Bernsen (1466)) | |
| I sound like a damn commercial, but half the crap in this house is from Wal-mart. The big deal about Wal-mart is that it's open 24 hours. (Corbin Bernsen (1466)) | |
| I'd like to direct some, act in some of them, and produce. (Corbin Bernsen (1466)) | |
| I'm at CUTS today, talking about Carpool Guy with you. I'm sitting in my dressing room and wherever I go, I set up my little office. (Corbin Bernsen (1466)) | |
| I'm sort of an experimenter; I thought it'd be interesting to play around and see what's there. (Corbin Bernsen (1466)) | |
| I'm very much looking forward to my 30-40 years of acting, and, as I get older, I'm really looking forward to some of the roles that are out there to play. (Corbin Bernsen (1466)) | |
| If we stop exploring space, we're going to lose the same part of us that found vaccines and penicillin, the part that searches for cures to cancer and AIDS. (Corbin Bernsen (1466)) | |
| In daytime, they're doing 50-60 pages a day, whereas nighttime, you do seven or eight. (Corbin Bernsen (1466)) | |
| It's a great counter to doing the soap because it's a comedy. It's real physical comedy. (Corbin Bernsen (1466)) | |
| It's a very funny show, and again, I'm the recurring guy, as I am with GH. I love being a free agent. That's really what I feel like. (Corbin Bernsen (1466)) | |
| It's an addictive thing. It's not so much I like to go win, but it's a rush. (Corbin Bernsen (1466)) | |
| It's not so much I like to go win, but it's a rush. A horrible gut wrenching thing, but it's exciting. (Corbin Bernsen (1466)) | |
| Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more. (Corbin Bernsen (1466)) | |
| There's nothing like coming home here, having the day off or morning off and going surfing. In Orlando I don't know what I would do. (Corbin Bernsen (1466)) | |
| They sent me some tapes of the original Mole and I thought it was pretty intriguing. I'm sort of an experimenter; I thought it'd be interesting to play around and see what's there. It was fun. Turned out to be good. (Corbin Bernsen (1466)) | |
| Truthfully, the games weren't the most interesting part of the whole thing to me; they were activities to bring out personality. (Corbin Bernsen (1466)) | |
| Unfortunately, with daytime, because it's so serialized, you have to repeat a lot of information, literally; it's part of the lay of the land. (Corbin Bernsen (1466)) | |
| We need a space program because we need explorers. Its in our souls. (Corbin Bernsen (1466)) | |
| Well, acting was just in me and I tried to avoid it. I didn't want to do what my parents did, you know? (Corbin Bernsen (1466)) | |
| Yeah, I think if I were to go again, I'd try to go more on gut feelings and stick with it. I was on to Frederique. I found clues for everything, I found tons of stuff. (Corbin Bernsen (1466)) | |
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